Click image to enlarge.* Where we have shown images of artwork framed or within room sets these have been created using virtual software and are intended to provide an idea of the style of framing and/or the scale of the artwork in relation to furniture. They should not be viewed as completely accurate to scale and the colours may vary. We can send photographs of the artwork in its frame by request. The frame images used are digital and are similar to the real ones but not the exact same. However the sizes are correct.
Stephen Johnstonís recent paintings have focused on reinterpreting still life: food slowly decaying in glass jars, burnt bottles and a bowl full of roadkill offer a plethora of emotional responses. These vivid images reveal how the artist sees all still life as an inherent comment on death. The Old Masters also made this social commentary through Vanitas, often setting up luxurious scenes garnished with riches and Foods. These materialistic icons were undermined by a sense of fleeting momentariness. Interested in presenting subject matter in an unfamiliar wag, Johnston deconstructs objects from their recognizable connotations and builds new relationships with the meanings they once held.
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